Kim Donghee was born in 1986 in Gwangju and earned an MFA in Fine Arts from Seoul National University of Science & Technology in 2020. Primarily based in Seoul, the artist creates works that intervene in the spatial perception of visitors, echoing the architectural nuances of galleries, non-gallery spaces, and commercial venues. Ever since his first solo exhibition, House Of Dispersed Layer (2014), Kim has primarily focused on three key concepts: space, platform, and collaboration. He has consistently evolved and progressed, acquiring new

Choi Yoonhee’s paintings depict accumulated time that remains like a trace.

Choe Sooryeon uses traditional images shared in Northeast Asia as illustrations that depict the absurd world.

Seaum Shim, a Korea-based artist, explores the intersection of technology and art. Shim consistently focuses on everyday objects and phenomena that surround us, intrigued by the potential of computer technology to freely transform and manipulate these commonplace discoveries. Recently, the artist has embarked on a project to perceive and reinterpret nature through digital technology while simultaneously planning a piece under dual themes of “ambiguity” and “nature.” For Shim, art serves as a means and a practice to observe reality from a fresh perspective. Most of Shim's works utilize digital technology but remain grounded in reality. Through his practice he confronts a personal contradiction: being captivated by digital technology while concurrently studying its opposite—nature—and yearning for a non-virtual reality. However, given that this conflict is a shared experience among modern individuals, he believes his work can encourage audiences to ponder this common predicament.

YunYoung Kim combines the painterly sensibility of painting with the tactile materiality of textiles, exploring the emotional strata where the body, memory, and language intersect.

I reconstruct the insignificant images and objects encountered within the familiar timeline of everyday life. Using these seemingly imperfect and flawed elements as my subject matter, I explore the inner fragility of emotions arising from a distracted lifestyle. Furthermore, I aim to revisit what we often overlook in the rapidly volatile flow of time, revealing their new aesthetic potential through paintings and installations.

Born in 1974 in Incheon, South Korea, siren eun young jung currently lives and works in Seoul. She studied the visual arts and feminist theory at Ewha Womans University in South Korea and the University of Leeds in UK. She is interested in how the seething desires of anonymous individuals encounter events in the world and become resistance, history, and politics. She believes that, by ceaselessly reexamining feminist-queer methodology, artistic praxis that is simultaneously aesthetic and political is possible. Her representative works include the “Dongducheon Project” (2007-2009) and the “Yeoseong Gukgeuk Project” (2008-present), and she works across genres including visual art, film, and theatre. She has grown mainly through major exhibitions in Asia such as “Tradition (Un)Realized” (2014), “Ghosts, Spies, Grandmothers: SeMA Biennale Mediacity Seoul” (2014), “Discordant Harmony” (2015, 2016), Asia Pacific Triennial of Contemporary Art (2015-16), Gwangju Biennale (2016), Taipei Biennial (2017), Shanghai Biennale (2018), Tokyo Performing Arts Meeting in Yokohama (TPAM 2014, 2018), and Serendipity Art Festival (2018). She has received the 2013 Hermes Foundation Art Award, 2015 Sindoh Art Prize, and 2018 Korea Artist Prize and participates in the exhibition in the Korean Pavilion at the 2019 Venice Biennale.

This uncertain origin is what JeeMin Kim continuously trace and reconstruct through ongoing research and exhibition series, <Prototype Temple>.

Artist Kim Hyeonsu majored in Photography and Related Media and is currently working on an M.A. in Intermedia Art. He documents diverse time periods and scenes of contemporary South Korean society through urban landscapes. <314.80㎡> illustrates the absence of expression in the faces of contemporary people, defined within a specified and standardized structure with only slightly different appearances, in the scenes of a playground in contemporary South Korean society. <Urban Greenery> is a work that records the shape of landscaping trees in the city. Neatly trimmed landscaping trees represent contemporary people living in accordance with social standards. Through this work, the artist reveals the unchanged nature of contemporary people even if their appearances change to comply to the social norm. Kim Hyeonsu's works are currently housed at the National Museum of Modern and Contemporary Art, Korea (MMCA) and uJung Art Center in Seoul, and some are privately owned through gallery art fairs.

Ifie Sin is an artist based in Seoul, South Korea. She received her MFA in media art at the École européenne supérieure de l'image in France. Sin primarily draws on the medium of video to pinpoint individual existence within certain communities and societies. For the artist, a significant area of interest lies in how the ongoing record of history and our biologically finite nature form boundaries and are categorized and collected. Sin’s work begins by taking as its motif the laboratory in which a singular entity is observed and directs its attention toward matters of natural history, archeology, evolution, and the chronicle of life. The artist constructs narratives either specific or abstract on the basis of archived material and personal interviews, thereby exploring landscape depth and aesthetic perspectives. Sin has held and participated in numerous solo and group exhibitions at the National Museum of Modern and Contemporary Art Goyang Residency, Seoul Museum of Art, SongEun Art Space, Seoul Art Space Geumcheon, White Block, Platform-L, Daechungho Museum of Art, Seoul Olympic Museum of Art, Korean Cultural Center Germany, Korean Cultural Center Hong Kong, Basis (Germany), KHOJ (India), Waley Art (Taiwan), and Aichi University of the Arts (Japan). Her works are currently housed in collections at the National Museum of Modern and Contemporary Art, Seoul Museum of Art, and the SongEun Art and Cultural Foundation.